Music This "qualitative" structure of the Fibonacci system was found, somewhat by chance, while programming the operation of the
musical language. The structure of musical rhythm is fundamentaly binary in its perfect regularity. When, by the process of ablation of the first 1/4, the other rhythmic shapes (including the ternary) are placed in order
of increasing irregularity, the "most irregular", with the maximum possible ablation, is inevitably a Fibonnacci value (F_{v}) and its inner structure is very clearly defined. EX  from the "regular" group of 4 (2^{2}) we reach F_{v}3 EX  from the "regular" group of 8 (2^{3}) we reach F_{v}5 EX  from the "regular" group of 16 (2^{4}) we reach F_{v}8 EX  from the "regular" group of 32 (2^{5}) we reach F_{v}13 etc ... With the following algorithm, we could produce all the possibilities : from the "regular" group of 2^{n} we reach F_{i}(n + 2), using the Fibonacci index. EX  with n = 10, from the "regular" group of 1024 we reach 144. Once the structure is evident, the is rest mostly a question of "opening the back of the clock to see how the pieces work".
To The Fibonacci Structure
